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Lesson Plan

Word Maps: Developing Critical and Analytical Thinking About Literary Characters

E-mail / Share / Print This Page / Print All Materials (Note: Handouts must be printed separately)

Grades 9 – 12
Lesson Plan Type Standard Lesson
Estimated Time Four 45-minute sessions
Lesson Author

Patricia Alejandra Lastiri

Patricia Alejandra Lastiri

Villanova d'Asti, Asti


International Literacy Association


Student Objectives

Session 1

Session 2

Session 3

Session 4


Student Assessment/Reflections



Students will

  • Use a word map as a strategy for better understanding the characters in a story

  • Analyze the many aspects of a character's life, problems, situations, feelings, and actions, and make connections to their own lives and to the world

  • Construct a better understanding of themselves by exploring and communicating their views and opinions about the characters in a text

  • Participate as knowledgeable, reflective, creative, and critical persons in respectful dialogue with one another during class discussions and while working in cooperative groups

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Session 1

1. Students will begin this session by creating a word map that characterizes "a good friend." The rationale for this activity is to activate prior knowledge and prepare students to read the story by relating to their own experiences and the people they know.

2. Divide students into groups of three to four students each. Explain to students that on the word map they will need to think about and record the actions, words, and feelings that characterize a good friend. Encourage students to reflect on their own personal friendships and to provide specific examples on the word map.

3. After brainstorming as a group, students may also find additional ideas by looking up the word "friend" or other related words in a dictionary or Merriam-Webster Online.

4. Ask students to choose one speaker from each group to share their word map with the class.

5. Display the word maps from each group in the classroom, as students will be required to refer back to them at the end of this session and also later in the lesson.

6. Distribute copies of the first part of the story "After Twenty Years" by O. Henry as explained in the Preparation section of this lesson.

7. Explain to students that they will be reading this short story in parts and that they will be using the interactive Literary Elements Map to analyze the characters and the story. (Note: This online tool provides a Character Map, Setting Map, Conflict Map, and Resolution Map. The Setting Map will not be used as part of this lesson.)

8. Ask students to read the first part of the story individually.

9. After reading, students can reconvene in their original groups to work on creating an online Character Map for each of the two characters in the story. At this point, they will be able to describe the policeman, but won't have much information about the second main character. For this reason, ask them to make predictions about the character.

10. In addition to completing and printing the Character Maps, ask students to think about words or actions from the story that they think are significant about these two characters and possible reasons for their actions. Have them record their ideas on the back of the Character Map printouts and save them for later use in Session 2.

11. In closing, ask students to answer the following journal questions in class if there is time or as homework.
  • What are the characters' feelings in this section? How do you know?

  • What do you think will happen next?

  • Will the friend show up? If so, how will the encounter be?
Questions can be displayed on an overhead transparency or written on the board.

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Session 2

1. Start this session with a class discussion on the journal questions assigned at the end of Session 1. This discussion will generate interest in how the story continues.

2. Ask students to individually read the remainder of the story.

3. Gather students in their original groups from Session 1, and ask them to review the two Character Maps they completed previously and to add any new information based on the second part of the story just read.

4. Have each group also create an online Conflict Map and Resolution Map for the story.

5. Ask each group to choose a speaker, and have all groups share their completed maps with the rest of the class.

6. If there is time at the end of the session, students can respond to the following journal questions in class. If not, you can assign them for homework.
  • Do you agree with Jimmy's actions? Why or why not?

  • How do you imagine Jimmy twenty years ago?

  • How do you imagine Bob twenty years ago?

  • How do you think Jimmy felt when he saw Bob?

  • Are Jimmy's actions justified?

  • If you were in Jimmy's shoes, what would have been the best thing to do from the following points of view?

    a. your career as a policeman

    b. your friendship with Bob

    c. your own conscience

    d. the law

  • How do you think Jimmy felt when he wrote the letter?

  • What do you think Bob's reaction was when he read the letter?

  • Had you been Bob how would you have reacted to the letter?

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Session 3

1. Begin this session by asking students to share their journal responses with the rest of the class. This activity will generate a lively class discussion about the story and the two characters.

2. Invite students as a whole class to think about whether the characters in the story fit the characteristics of a good friend, as described on their word maps completed during Session 1. As part of this discussion, encourage students to make connections to their own lives by sharing personal experiences they have had with their friends.

3. Have students work in their groups to prepare a three- to five-minute role-play in which they assume the roles of the two characters and narrator in the story. Challenge groups to decide whether they agree or disagree with O. Henry's version and the actions of the characters in the story. If they agree, they can act out the story in the same way as O. Henry tells it. If they disagree, they can change the characters' behaviors to show how they think the story should have been written.

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Session 4

End the lesson by having students perform their role-plays for the class. Ask for students' reactions to each group's depiction of the two characters, and lead a class discussion to talk about the different perspectives presented by students.

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  • ReadWriteThink Printing Press. Have students create newspaper articles about the arrest of 'Silky' Bob. As part of their articles, students can include interviews with the two characters in the story to reflect characterization.

  • Lights, Camera, Action: Interviewing a Book Character. Although this lesson is intended for grades 6-8, it can easily be modified for high school. Have students develop a television talk show that uses the characters from the story "After Twenty Years" as the acting characters on the show.

  • Have students create Character Trading Cards for the characters in "After Twenty Years." They can then exchange cards to compare them or use them as a writing prompts for an essay about character development in the story.

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  • Ask students to reflect in their journals on what they have learned from this lesson and the story. You can leave the writing open or have students respond to one or more of the following prompts:
  • What have you learned from this lesson?

  • Have you enjoyed sharing your opinions and ideas with your classmates? Why or why not?

  • Do you feel that connecting with the characters in the short story "After Twenty Years" helped you better understand the story?

  • How did the use of graphic organizers (e.g., the word map, character map, conflict map, and resolution map) help you organize your ideas? Do you think they helped you to better understand the characters and the story?
  • To assess cooperative work skills and the completion of the word map and literary elements maps, access Bridging the Gap: Group Work Rubrics and Checklists or RubiStar to find or create assessment rubrics.

  • Review students' journal responses to assess their ability to make personal connections to the story and their level of comprehension.

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