Show, Don’t Tell: Implied Meaning and Subtext with Evidence
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- Resources & Preparation |
- Instructional Plan |
- Related Resources |
- Standards
Overview
Students will critically read Great Immigrants, Great Americans: The Comic Book to analyze how authors use implied meaning and subtext to develop a story, and students will be able to cite evidence.
This lesson is designed for classrooms and teachers with very limited resources and time in under-resourced areas or districts with strict pacing guides. This lesson is also suitable for students with behavioral and developmental complexities. The goal is to provide students with a visual guide to how authors imply meaning through subtext, and to then describe those visuals as evidence for a claim in essay format. By understanding how visual imagery implies meaning, and by citing and elaborating, students will develop this skill for application toward literature.
Featured Resources
- Digital or printout copies of Great Immigrants, Great Americans: The Comic Book
- Notebook paper
- Pen or pencil
- Developing Evidence-Based Arguments from Texts
- Critical Reading: Two Stories, Two Authors, Same Plot?
Materials and Technology
- Colored pencils
- Crayons
- Markers
Printouts
- Graphic organizer of your choice
- “Draw Your Own Comic” from Great Immigrants, Great Americans: The Comic Book (pp. 34–35)
Websites
This website is a link to all the free illustrated stories created by the Carnegie Corporation of New York.
This website is from the Institute of Education Sciences and includes a link to several PDFs with recommendations about teaching writing in secondary school.
This website is from the National Endowment of the Humanities and provides an interactive glossary for literature terms with examples.
This website is from Learning for Justice and includes a lesson where students compare two texts with similar themes.
This website is from Learning for Justice and includes a lesson where students compare two texts with similar themes.
This website is from Learning for Justice and includes a lesson where students annotate a central text and develop meta-cognition skills
Preparation
- Have students look at only the pictures from Mo Amer and Raj Panjabi.
- Have students read both comics in small groups or independently.
- Provide students with an introduction paragraph starter (examples included in lesson steps below).
- Model with the class how to preview a claim in the intro for one of the comics.
- Model with the class how to outline a body paragraph with a clear claim and some pieces of evidence.
- Instruct students to complete the process for the second comic on their own (following gradual release model).
- Briefly discuss claims and evidence for the second comic with the class.
- Time permitting, allow students to create their own words and images visually representing themselves and their own story.
Student Objectives
Students will:
- discuss ideas and concepts around national and ethnic identity/intersections of identity.
- discuss the significance of imagery and subtext in a story.
- Academic vocabulary: comics, ethnic identity, national identity, storytelling
- Tier 2: connotation, immigrants, immigration, subliminal message, subtext
- discuss how authors imply meaning in ways other than direct statements.
- draft a sample intro paragraph for a discursive essay and outline two body paragraphs using evidence from the text.
- Academic vocabulary: caption, gutter, panel, speech balloon, thought balloon
- Tier 2: climax, subtext, symbolism, theme, tone
Session Introduction and Activities
(Session One)
- Together with the class, look only at the pictures from Mo Amer and Raj Panjabi in Great Immigrants, Great Americans. These two comics, specifically, make particularly good use of background details and supporting characters in a short comic. Students should not yet read the comic text, only scan and digest the visuals. Ask them what they notice and what they think each story might be about before reading.
- Ask students how they could tell what elements of the story or the characters might be relevant just by the images without being told through text explicitly what is important. These two steps should take about 10 minutes total.
- Now have students read both comics in their entirety. Briefly discuss how their predictions were correct or differed from the text. This step should take no more than 10 minutes.
- Provide students with an introduction paragraph starter to write down. For example: “Many immigrants to the United States overcome adversity as children and use those experiences to become successful adults. The stories of comedian Mo Amer and doctor Raj Panjabi from Great Immigrants, Great Americans: The Comic Book, show how they each persevered after immigrating to the United States. At first, Mo Amer ____________, but then he ____________. In the beginning, Raj Panjabi _____________, but then _____________. Great Immigrants, Great Americans: The Comic Book shows how Mo Amer and Raj Panjabi both used their experiences as child immigrants to the United States to live their own American Dream.”
- As a class, fill out the first two blanks about Mo Amer. For example: “At first, Mo Amer struggles to fit in, but then he becomes a popular class clown.”
- Skip the blank fill-ins for Raj Panjabi for now and instead brainstorm with the class what a body paragraph about Mo Amer might look like. Come up with a basic claim and some evidence. This can more closely resemble an outline with bullet points. For example:
“Mo Amer, a Palestinian, struggled at first in his Houston, Texas, grade school, but humor in the classroom led him to become a successful comedian.
- Born in Kuwait—war/seeking asylum
- British accent
- Dressed differently
- Dad died
- Skipped school
- Teacher made a deal to let him do comedy/read Shakespeare in class
- Graduated early/toured world with USO”
Steps 4–6 should take no more than 20 minutes.
Note: This is the halfway point of the lesson.
- Have students repeat these lesson steps for Raj Panjabi on their own. Remind them that evidence could be visual and presented through subtext. Remind them to see and notice details like facial expressions, movement, colors, foreground and background, other characters, etc. This should take no more than 20 minutes with support as needed.
- In the last 10 minutes, ask some students to share their claim and some pieces of evidence for Raj Panjabi.
- With any remaining time, ask students to create a visual and textual representation of themselves using either a blank sheet of paper, a graphic organizer of your choice, or the “Draw Your Own Comic” pages from Great Immigrants, Great Americans: The Comic Book as a printout. Students are encouraged to use vivid color, imagery, and words to express their own identity and story in a nonlinear fashion.
Extensions
- Alternative: Begin with the self-representation activity as a warmup to visual and textual storytelling.
- Follow-up activity: Have students create a comic of their own using the “Draw Your Own Comic” template.
- Follow-up activity: Have students complete the essay they began to outline in this activity, focusing on evidence from the text and citing it accurately.
From Theory to Practice
Multimodality: “Promote curriculum and instruction that broaden definitions of writing to include visual, aural, and multimodal compositions and to include a wider variety of purposes for writing (e.g., writing to discover, writing for change, writing to learn, writing to reflect).”
Writing Process/Instruction: “Advocate for writing instruction that is process- (rather than product-) oriented and that invites students to become writers who (1) write for authentic purposes and (2) make authentic choices about processes and products.”
Cultural Literacy and (Re)presentation: “Recognize and value the cultural and linguistic assets that writers bring to their texts by highlighting published writing and student writing that reflect diverse perspectives, voices, experiences, and linguistic practices.”
Work Cited
Calhoon-Dillahunt, C., Coppola, S., Warrington, A., & Yagelski, R. (2022). Position statement on writing instruction in school. National Council of Teachers of English. https://ncte.org/statement/statement-on-writing-instruction-in-school/
Student Assessment / Reflections
The learning objectives for this lesson are assessed through the individual draft intro paragraphs and two body paragraph outlines that include claims and evidence.
Related Resources
Standards
A complete listing of the standards can be found here.
4. Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes.
5. Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes.
6. Students apply knowledge of language structure, language conventions (e.g., spelling and punctuation), media techniques, figurative language, and genre to create, critique, and discuss print and nonprint texts.