As part of their study of Richard Wright's Black Boy, students research and reflect on the current black-white racial divide in America. By examining the work of literature in the context of contemporary events, students will deepen their understanding of the work and of what it means to be an American today.
Examining the Legacy of the American Civil Rights Era
Grades
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Songs of Our Lives: Using Lyrics to Write Stories
5 - 10
Lesson Plan
| Standard Lesson
Students learn about the life and music of John Lennon, write a short story from their lives integrating lyrics from some of their favorite songs, and create a class book of stories.
Grades
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Cut up, Cover up, and Come Away with Ideas for Writing!
6 - 8
Lesson Plan
| Standard Lesson
Students rework their forgotten/abandoned drafts by cutting and covering up selected words. By creatively manipulating text, they explore portal writing, a strategy for envisioning a new story or story direction.
Grades
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Facilitating Student-Led Seminar Discussions with The Piano Lesson
9 - 12
Lesson Plan
| Standard Lesson
August Wilson's play The Piano Lesson invites students to ask a number of questions—big
and small. Students learn how to create effective discussion questions and then put them to use in student-led discussions.
Grades
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Comparing Portrayals of Slavery in Nineteenth-Century Photography and Literature
6 - 12
Lesson Plan
| Standard Lesson
In this lesson, students analyze similarities and differences among depictions of slavery in The Adventures of Huckleberry Finn, Frederick Douglass' Narrative, and nineteenth century photographs of slaves. Students formulate their analysis of the role of art and fiction, as they attempt to reliably reflect social ills, in a final essay.
Grades
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Analyzing Famous Speeches as Arguments
9 - 12
Lesson Plan
| Standard Lesson
Students are often asked to perform speeches, but rarely do we require students to analyze speeches as carefully as we study works of literature. In this unit, students are required to identify the rhetorical strategies in a famous speech and the specific purpose for each chosen device. They will write an essay about its effectiveness and why it is still famous after all these years.
Grades
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An Exploration of The Crucible through Seventeenth-Century Portraits
9 - 12
Lesson Plan
| Standard Lesson
In this lesson, students incorporate analyses of characters from The Crucible with examinations of original seventeenth-century portraits of Puritans to create a visual portrait of the character. The project culminates in a "Portrait Gallery Walk" where students present and defend their artwork.
Grades
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Sonic Patterns: Exploring Poetic Techniques Through Close Reading
9 - 12
Lesson Plan
| Standard Lesson
Students develop close reading skills connecting sound with sense in the poem "Those Winter Sundays," and write an original text that reflects their new learning.
Grades
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Entering History: Nikki Giovanni and Martin Luther King, Jr.
6 - 8
Lesson Plan
| Standard Lesson
Nikki Giovanni's poem "The Funeral of Martin Luther King, Jr." is paired with Dr. King's "I Have a Dream" speech, taking students on a quest through time to the Civil Rights movement.
Grades
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From Friedan ForwardConsidering a Feminist Perspective
9 - 12
Lesson Plan
| Standard Lesson
Students write letters expressing personal views on issues like equal pay, equal education/employment opportunity, and gender rolesand receive these letters six years later.
Grades
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Decoding the Dystopian Characteristics of Macintosh's "1984" Commercial
9 - 12
Lesson Plan
| Minilesson
This lesson uses the "1984" Macintosh Commercial to introduce students to dystopian characteristics. Students analyze techniques used in the commercial and identify the comments that it makes about contemporary society.
Grades
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Analyzing the Stylistic Choices of Political Cartoonists
9 - 12
Lesson Plan
| Standard Lesson
Students explore and analyze the techniques that political (or editorial) cartoonists use and draw conclusions about why the cartoonists choose those techniques to communicate their messages.
Grades
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Plot Structure: A Literary Elements Mini-Lesson
6 - 8
Lesson Plan
| Standard Lesson
Students learn that the plot structure described by Freytag's Pyramid is actually quite familiar as they diagram the plots of a familiar story, a television show, and a narrative poem.
Grades
|
Audio Broadcasts and Podcasts: Oral Storytelling and Dramatization
9 - 12
Lesson Plan
| Unit
After exploring Orson Welles' 1938 broadcast of H. G. Wells' War of the Worlds, students create their own audio dramatization of a text they have read.
Grades
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Myth and Truth: The Gettysburg Address
9 - 12
Lesson Plan
| Standard Lesson
By exploring myths and truths surrounding Abraham Lincoln's Gettysburg Address, students think critically about commonly believed stories regarding this famous speech from the Civil War era.
Grades
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Creating Family Timelines: Graphing Family Memories and Significant Events
3 - 5
Lesson Plan
| Standard Lesson
Students interview family members, and then create graphic family timelines based on important and memorable family events.
Grades
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Copyright Infringement or Not? The Debate over Downloading Music
9 - 12
Lesson Plan
| Unit
This lesson takes advantage of students' interest in music and audio sharing. Students investigate multiple perspectives in the music downloading debate and develop a persuasive argument for a classroom debate.
Grades
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Argument, Persuasion, or Propaganda? Analyzing World War II Posters
9 - 12
Lesson Plan
| Standard Lesson
Students analyze World War II posters, as a group and then independently, to explore how argument, persuasion and propaganda differ.
Grades
|
Building Vietnam War Scavenger Hunts through Web-Based Inquiry
9 - 12
Lesson Plan
| Standard Lesson
Students research the effects of the Vietnam war on a specific group of people who were involved. They then create Internet scavenger hunts to share with the class.
Grades
|
Reading Literature in Translation: Beowulf as a Case Study
9 - 12
Lesson Plan
| Standard Lesson
Using several translations of the same passage of Beowulf, this lesson introduces students to the idea that translation is not an objective practice, but that it involves "imaginative reconstruction."